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home archives book consultancy service partners smashing stereotypes since 2005 subscribe latest stories february 12th, 2015 s.a.b.i.o. “i was born and raised to brazilian parents in philadelphia and initiated into this culture at an early age. in 1985 i was 10 years old. i got into break dancing. in philadelphia you have row homes. one block is 24 homes. i lived on the end house. older kids would breakdance on the corner. while my mother asked how my homework was going, i was looking at them out of the window.” “it was the biggest thing i had seen in my life: people spinning on their heads, spinning on their backs, doing tricks with their bodies. the cardboard they spun on was covered in symbols and tags. i wanted one of my own. i quickly wanted a name.” “philadelphia has its own tradition as far as graffiti is concerned. it’s epically known. we called our signatures slams, wickets, top to bottoms, bogies, gangster script, flares, simples and prints. philadelphia birthed these and new york, la, seattle, chicago and baltimore adapted them.” “s.a.b.i.o. stands for supreme articulation bouncing in orbit. it means i’m an articulate person in a universal setting. in english, “sabio” means “someone who knows”. i’ve always been attracted to questions of history, culture, language and anthropology. where do people come from? what does this language or symbol mean?” “it’s important to understand why people write graffiti and what their motives are. there’s always a deeper meaning: the will to do good, the quest to know oneself as a person and articulate that knowledge through this energy. to “bomb” or risk one’s freedom must come from somewhere within. for myself and many others, a quest to understand why we are here on earth, to “mark” your existence. this leads to questions. why do you want to contribute? what do you want to share on earth?” “graffiti is one big story. stories are what make culture. graffiti is the voice of the streets. the streets are the cities; cities represent civilization. graffiti is the common denominator, the bottom of the barrel. graffiti saved my life. it’s my identity. it’s what i was born into, what i grew up with, and what i continue to flourish in.” [images: damian platt/sabio] posted in article , street art | no comments » september 11th, 2014 watching the world cup! after a seemingly unending wait the world cup finally took place, and i was happy to help scottish photographer jane stockdale on a project called watching the world cup. it was great to spend time with old and new friends in alemão and maré, although sad to witness the favela population surviving at gunpoint (as usual). things were especially difficult in the alemão with daily, unnecessary shoot-outs on the rua 2. jane’s assistant and local guide pedro shows her some of the alemão despite this, we had a ball! i even traveled to see england draw 0-0 with the mighty costa rica. great fans, terrible team, a local told me. still, there’s always time to prepare for russia… in the meantime please visit www.watchingtheworldcup.com for jane’s photos (these snaps are taken by me) and the full story. posted in article , news , photography | no comments » april 10th, 2014 bate bola: a film by vincent moon last year i was lucky to be able to visit the bate bola crew fascinação with vincent moon , french musicological film-making nomad. the results are in this film, a unique portrait of this untold and unseen aspect of rio’s carnival. as far as i aknow it’s the first time anyone from outside brazil has made a film about the bate bola. vincent’s own description of his film reads: “a rare document on the carnival from the north of rio, far from the beach and the cliché of ‘la cidade maravilhosa’. maybe the oldest form of carnival in brazil, a contest in between neighborhoods, each team dressed in surrealist outfits, mixing various layers of popular cultures, between ultra-kitsch icons and futuristic gladiators.” posted in fashion , film , music | no comments » october 25th, 2013 rio protests update: who are the vandals? [photo taken at a teacher’s march in october. “vandalism is beating up teachers”] this piece, published this month in the haldane society , a british legal magazine, is a follow up to my june piece : the third consecutive term of the leftist pt [worker’s party] government was ticking along relatively comfortably for dilma rousseff (ongoing corruption scandals aside) until protests against a bus fare increase in são paulo triggered similar action across the nation, drawing hundreds of thousands of dissatisfied brazilians onto the streets in june to protest against a political system they see as corrupt and inefficient. the massive demonstrations came as a surprise to many observers. brazil is brics poster child: a strong democracy and an optimistic emerging economy, ripe for investment and ready for the future. the last time brazilians took to the streets en masse was back in 1992 to call – successfully – for the impeachment of then president fernando collor, the man who froze the nation’s bank accounts. rousseff, a former militant involved in organised opposition to the military dictatorship – imprisoned and tortured for her activity – was quick to identify the protests as a sign of the strength of “our democracy” and new “political energy”. the middle class is growing slowly and millions have been lifted out of extreme poverty by social assistance programs initiated by the pt. but as people move laboriously up brazil’s skewed social ladder, they are hit by the expense of middle class life here, where private health care and private education are standard, given the generally poor quality of public services. in short people might earn more but, while the cost of living rises, they are seeing poor returns from their growing contributions to the public coffers. rio, where the largest protests took place, is current focus of national ambition. 300,000 (or one million, depending on who you listen to) came onto its streets on 20th june. excessive marketing for world cup preparations and the 2016 olympics has grated on the population of a city where the cost of living has soared. while there have been notable improvements in public safety, a less violent city is a more expensive city. a principal target of resentment is state governor sergio cabral, whose support has plummeted to 8% in his second term of office. once the initial surge of protests had subsided, demonstrators camped outside his home in the exclusive leblon neighbourhood until he moved (presumably at the request of influential neighbours) elsewhere. eduardo paes, rio’s mayor, although not unscathed, has weathered the storm with more sagacity, making concessions and inviting protestors for talks. although the largest demonstrations were not much short of an outpouring of general discontent, there were some quick victories. protestors in several cities achieved their immediate goal when local authorities, including rio and são paulo, announced a freeze on bus fare rises. in rio the state government abandoned unpopular plans to bulldoze a school and indigenous museum to make way for a multi-storey car park near the maracana, future world cup final venue. mayor paes also guaranteed the future survival of vila autodromo, a favela that was earmarked for demolition to make way for olympic development. these achievements seemed unlikely before demonstrators took to the streets. but while the protestors scored some points, two incidents highlighted the longstanding violence and human rights abuses suffered by the country’s poor. on 24th june, military police belonging to the bope special operations unit (portrayed brilliantly by josé padilha in his ultra-violent ‘elite squad 1 & 2’ films) killed nine alleged drug traffickers in the sprawling maré favela complex. one bope member also died in this unauthorised operation which left residents without electricity for 36 hours. then in july members of a police

URL analysis for cultureisyourweapon.com

http://www.cultureisyourweapon.com/2014/09/watching-the-world-cup/#respond
http://www.cultureisyourweapon.com/category/fashion/
http://www.cultureisyourweapon.com/2013/09/siamo-alla-fruta-ferroviaria-cumana-di-napoli/#respond
http://www.cultureisyourweapon.com/2012/02/bate-bola-no-carnaval-do-rio/
http://www.cultureisyourweapon.com/2014/04/bate-bola-a-film-by-vincent-moon/
http://www.cultureisyourweapon.com/2014/09/watching-the-world-cup/
http://www.cultureisyourweapon.com/category/photography/
http://www.cultureisyourweapon.com/wp-login.php
http://www.cultureisyourweapon.com/articles/archives/
http://www.cultureisyourweapon.com/2015/02/s-a-b-i-o/#respond
http://www.cultureisyourweapon.com/2013/09/siamo-alla-fruta-ferroviaria-cumana-di-napoli/
http://www.cultureisyourweapon.com/category/music/
http://www.cultureisyourweapon.com/2014/04/bate-bola-a-film-by-vincent-moon/#respond
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Domain Name: CULTUREISYOURWEAPON.COM
Registry Domain ID: 1583204728_DOMAIN_COM-VRSN
Registrar WHOIS Server: whois.godaddy.com
Registrar URL: http://www.godaddy.com
Updated Date: 2015-04-21T16:32:50Z
Creation Date: 2010-01-26T19:48:44Z
Registry Expiry Date: 2020-01-26T19:48:44Z
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Name Server: BARBARA.NS.CLOUDFLARE.COM
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  NAME cultureisyourweapon.com

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